C
On Fri, 20 Oct 2006 07:03:14 GMT, Ryan Cousineau <[email protected]>
wrote:
>In article <[email protected]>,
> [email protected] wrote:
>
>> On 19 Oct 2006 17:41:54 -0700, [email protected] wrote:
>>
>> [snip]
>>
>> >If we switch to the splash page for the generic "Fall cycling" line, we
>> >see this:
>> >
>> >http://louisgarneau.com/eng/catalog.asp?catalogue=HH6
>> >
>> >Okay, he's looking back, and he's riding a fancy bike, but I hardly
>> >think you can accuse the rider of racer-posing, since he is in the
>> >decidedly unnatural-for-racing postion of having one foot on the ground
>> >and looking back. Also, no team colors on his jersey.
>>
>> [snip]
>>
>> Dear Ryan,
>>
>> Also, he's stopped in the traffic lane of what looks like a highway,
>> his rear wheel within inches of a yellow no-passing stripe.
>>
>> Caption: Gee, I hope that pickup doing 80 mph swerves around me!
>
>Heh. My proposal: Does this contrast stitching make my butt look fat?
>
>Actually, I quite like the contrast stitching. But I also own a blue
>bicycle with red bar tape on one side, and black bar tape on the other.
>
>> It's not quite as bad as posing in the middle of a 4-way intersection
>> beneath a traffic light, but it does support the theory that models
>> and fashion photographers are airheads.
>>
>> Love the crisp-edged shadows from the artificial lighting on a cloudy
>> day.
>
>That shadow came from all-natural lightning, I'm sure.
[snip]
Dear Ryan,
On the off-chance that you're serious, look more closely at the sharp
shadows cast by the bike below the rider's waist on a cloudy day.
Now look for any trace of a shadow cast by the rider.
Either he's a vampire and casts no shadow, or else an artificial light
is shining at about chest height, so it casts shadows at a downward
angle from the bike below the rider's waist, but is unable to cast his
shadow on the distant trees in the background:
. '
. '
light ( - - - rider no shadow horizon
' .
' bike
__________ shadow______ _ _ _ _ _ _ _ _
bright pavement dark pavement
Note also the bright pavement near the wheels, but how dark the
pavement is in the other lane where the sun would be showing the
rider's shadow--the artificial lighting off to the viewer's right is
powerful enough to cast shadows downward that close to the light, but
the artificial light fades out in a few feet, just like a car's
headlight at noon.
Cheers,
Carl Fogel
wrote:
>In article <[email protected]>,
> [email protected] wrote:
>
>> On 19 Oct 2006 17:41:54 -0700, [email protected] wrote:
>>
>> [snip]
>>
>> >If we switch to the splash page for the generic "Fall cycling" line, we
>> >see this:
>> >
>> >http://louisgarneau.com/eng/catalog.asp?catalogue=HH6
>> >
>> >Okay, he's looking back, and he's riding a fancy bike, but I hardly
>> >think you can accuse the rider of racer-posing, since he is in the
>> >decidedly unnatural-for-racing postion of having one foot on the ground
>> >and looking back. Also, no team colors on his jersey.
>>
>> [snip]
>>
>> Dear Ryan,
>>
>> Also, he's stopped in the traffic lane of what looks like a highway,
>> his rear wheel within inches of a yellow no-passing stripe.
>>
>> Caption: Gee, I hope that pickup doing 80 mph swerves around me!
>
>Heh. My proposal: Does this contrast stitching make my butt look fat?
>
>Actually, I quite like the contrast stitching. But I also own a blue
>bicycle with red bar tape on one side, and black bar tape on the other.
>
>> It's not quite as bad as posing in the middle of a 4-way intersection
>> beneath a traffic light, but it does support the theory that models
>> and fashion photographers are airheads.
>>
>> Love the crisp-edged shadows from the artificial lighting on a cloudy
>> day.
>
>That shadow came from all-natural lightning, I'm sure.
[snip]
Dear Ryan,
On the off-chance that you're serious, look more closely at the sharp
shadows cast by the bike below the rider's waist on a cloudy day.
Now look for any trace of a shadow cast by the rider.
Either he's a vampire and casts no shadow, or else an artificial light
is shining at about chest height, so it casts shadows at a downward
angle from the bike below the rider's waist, but is unable to cast his
shadow on the distant trees in the background:
. '
. '
light ( - - - rider no shadow horizon
' .
' bike
__________ shadow______ _ _ _ _ _ _ _ _
bright pavement dark pavement
Note also the bright pavement near the wheels, but how dark the
pavement is in the other lane where the sun would be showing the
rider's shadow--the artificial lighting off to the viewer's right is
powerful enough to cast shadows downward that close to the light, but
the artificial light fades out in a few feet, just like a car's
headlight at noon.
Cheers,
Carl Fogel