Scoffin said:I just started biking mid last year and after reading several recent articles on technique and training, I realize that I've been pedaling mostly with my toes down instead of keeping my heals down. It sounds like you use the bigger muscles in your leg and butt when you pedal heals down. I just wanted to get other peoples take on this. I really have to focus to keep my heal's down when pedaling. Is there a certain seat position that will help to encourage this technique? Also, If you want to pedal heal's down, are you really talking about just keeping your feet flat, or do you actually tilt your foot back so the heal is down?
Since it's freaking cold here in Iowa, I'm working on this in Spin class, but want to make sure I'm doing it correctly.
Both my Spin bike and road bike have strapped pedals, if that has any impact on this at all.
Thanks in adavance for your replies..
Danch is on it, however the terms used for this discussion are very vague (not just here, I simply want to point out, what does it acutally mean "heals down/toes down"😉. It's important to note that as you drop the heels too low, you are stretching the achilles in a way that takes the soleus muscle out of it stongest range of motion. Cycling is not a strength dependent sport, but I know a lot of people like to do low cadence work and so forth, so after thousands of reps of such nonsense, it's possible to strain the achilles. I always thought that people wouldn't drop the heels so low that it would matter (given the above comment on strength), but it's been more than once that I've heard..."well, Greg LeMond use to drop his heels really low when he climbs, so it must be a good thing to do"...arg.
I can say that in a research on cycling biomechanics, a heel up position that was 13 deg above horizontal with the pedal was the most efficient. This can be found in a segment of Burke's book "Science of Cycling", by PR Francis (1986).
I take this as the "middle ground" of a good pedal stroke and allow for a small amount of play up or down from there to accomidate for higher or lower cadences.