Ride-A-Lot said:kantspel said:Quoted message said:>I'm now starting to question the camera on the helmet setup. it just seems awkward and frankly a
>little too dorky. I think the quality of the newer lipstick cameras will be good enough <shakes
>piggy bank>.
I guess some folks care more about how they look on the trails and are willing to sacrifice the
quality of the end product for the security of looking cool. You're not the first to mention that
reasoning.
Good luck with the vids.
Well, to be fair, I did mention that it looks like it would be awkward. The idea of carrying a few
extra pounds of gear on my head for several hours just doesn't appeal to me.
I think there's something to be said for being descreet too. If you're not screaming "I HAVE A
CAMERA POINTED AT YOU" you're subjects might be a little more candid, especially during breaks.
I'm still on the fence. I'd like to see a side by side comparison with a newer 480 line tube cam.
I use the 480 lipstick camera and I can tell you that there is a big difference in the quality of
Pete's videos and mine. There's more to it than resolution. The big cameras obviously have a
bigger lens which allows more light and the focusing is much better. I'm more scared about busting
up a $1000 camera strapped to my helmet than how I look and the lipstick cam serves my purposes
just fine.
o-o-o-o Ride-A-Lot o-o-o-o www.schnauzers.ws
The damage thing has come to mind as well but I'm thinking that the camera might actually be safer
on my head than on my body. In a crash I know that I very rarely hit my head on anything, but I'm
sure to hit the torso on the ground.
When I look at your video it's hard to really tell how good the image quality is because the
compression leaves something to be desired. I'm comparing the Allaire video to Pete's Sedona video.
The colors in yours are a little more bland but not distractingly bad. Also, it would appear that
the image stabilization in pete's cam help to smooth out the shots quite a bit, but trail
condiditions, suspension, and rider sytle could all be part of that.
One thing to note though is that your video lipstick cam seems to handle changing light conditions a
little better. Your video is shot with the sun at a low angle and you repeatedly hit it damn near
head on, but since the little camera doesn't adapt as well (i guess) the image doesn't darken up
very much. Now take a look at Pete's vid just after the 2 min mark. As he passes in into a shadow
the trail goes really dark and then get's super bright when he emerges as the camera deals with the
light "better". To me the lipstick camera looks more natural. Of course the light balance in Pete's
vid could be attributed to the overall brighter conditions of the desert. Hard to say and I'm
certianly no expert.
In the interest of science do you think you could shoot a few seconds of video and then reshoot it
through the lipstic cam? It'd be nice to at least see a few screen shots of uncompressed comparisons
in different situations.