[email hidden] (Carl Fogel) wrote in message news:<[email hidden]>...
[snip]
A follow-up:
What I've seen is more like it!
It sounds as if the engineering crowd is
unimpressed with the minuscule increases
in horizontal stiffness claimed by Colnago
for their weird new chain-stay design.
But what if we look at it as a 5% (or whatever)
reduction in side-to-side thrashing power-loss?
That is, a rider puts out X amount of effort,
most of which (I hope) goes into overcoming
wind drag, rolling-resistance, inertia, and
broken glass.
But some effort is wasted in all sorts of
nooks and crannies, one of which is any
side-to-side flexing of the hideously stiff
something-or-other-hedron formed by the
seat-tube, chain-stays, seat-stays, and axle
(I read somewhere in another post that there's
a name for the geometry and that the little
cross-bar for the brake doesn't count.)
Everyone seems to agree that this side-to-side
motion is minute. My question is how much
effort is needed to create that tiny wiggle
in such a stiff arrangement of tubing? How much
would it help to reduce this particular loss by
5%?
If half of the overall X effort goes into
twisting my rear frame, then it's a 2.5% overall
improvement and worthwhile.
If only 1% of the overall X effort goes into
distorting my rear frame, then the potential
improvement is only 0.05% and getting hard to
justify.
And is any gain, regardless how large or small,
offset by the loss in the claimed greater vertical
flexing that's supposed to make the bike more
comfortable?
These are all figures too tricky for me to even
guess at, but at least now I know what the question
is--does that bizarre diamond-hole in the chain-stay
work to reduce horizontal deflection and increase
vertical deflection, and if so, are the effects large
enough to matter?
It may be pure marketing, it may be pure wishful
engineering, but I can't say that the ugliness
worries me--where would most of us be if homeliness
were grounds for rejection? Even Jobst Brandt admits
that there was a time when he was younger and more
beautiful.
Carl Fogel