pete66 said:Hi, that's an open-ended question without a budget... I mean, for all
your high definition slow-mo 16x9 needs a PanasonicHVX200 and a MacG5
with Avid studio would work well if you happen to have um, US$15,000
lying around 🙂
Are there any specific models you've got your eye on yet?
Any Pana, Canon or Sony will be great, it depends what you're after. If
you get a half good software package you shouldn't need any of the
gimmicky post process "features" like, "sepia" or "mosaic". One
question you might wanna ask yourself is "do I want good night vision
and/or good low light performance?". Sony generally wins for
nightvision (but seriously, no night vision will give a professional
look - no offense to Miss Hilton intended).
For good low light (and improved overall picture) you want the CCD(s)
to be as large as possible... 1/6" is pretty normal for a crappy little
Sony handycam whereas 1/2" will give a luxurious broadcast quality feel
every time, I'm guessing you'll be aiming for 1/4" or bigger.
Also, are you the sorta guy who likes to have control over every aspect
of the picture or are you more a "throw it on auto, point and shoot"
type where perhaps just a small easy to carry DV cam will do fine?
note for if you're interested in knowing more about CCDs:
http://en.wikipedia.org/wiki/Ccd
That is some great, helpful info! While I'm surly not about to spend
$15k, or even $1,000 on a videocam, I am looking at something in the
$300-500 bracket. I know that won't buy the best equipment, but I
really only need to shoot some basic stuff so I can watch my progress
and even use it as a learning tool; I have identified a few fundemental
mistakes simply by reviewing tapes of my riding. And it seems that what
really can make or break a great looking video, is the editing and
music bed, even if the video isn't of "Cinematic" quality.
--
terrybigwheel
Impotence: Nature's Way Of Saying "No Hard Feelings".
Uni is just a cycle I'm going through. 😎
You -can- "Tune a fish". You simply adjust their "scales"! 😄
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