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Help with camera exposure

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General fitness, health and nutrition
Published
24 July 2004
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7 August 2004
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Rodders
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  1. [email hidden] said...

    Quoted message said:


    "W. D. Grey" <[email hidden]> wrote in message
    news:[email hidden]...
    | In article <[email hidden]>, ste©
    | <[email hidden]> writes
    | >
    | >> Alternatively, if the camera accepts filters, or, if not a filter
    | >> attachment is available, then use a grad grey filter.
    | >
    | >It doesn't.
    |
    | What ! No facility for a filter attachment ???

    I know, it's a shame as it's a good little camera. Fits nicely in the
    pocket, unlike the G5. I even got a very good A3 print from it - it's a
    3.3mp camera that interpolated images to 6mp using the Fuji in-camera
    formulas or whatever... :-)

    | Even my Olympus 4040Zoom has a filter holder attachment. I can use Cokin
    | filters with this and Grad Grey does the biz.

    See, even un-serious photographers use filters and tripods! ;-)

    I wouldn't call Bill an un-serious photographer. I've seen some
    of his stuff and it's very, very good. He doesn't boast about it
    on this NG, but then he has no reason to.
    --
    Fran
    If you need my email address please ask.

  2. "Paul Saunders" <[email hidden]> wrote in message
    news:[email hidden]...

    Quoted message said:
    Rodders said:

    We met two Spanish boys at the top, one is taking the
    photo (this is probably why the photo is so poor).

    No it's not. It's high contrast light, nothing you can do about it.
    Just expose for the sky and lighten the land later.

    That's a good point which I didn't consider. Take a photo and manipulate it
    later.

    I was out this afternoon and took more photos of people against a bright
    light, with and without a flash, and the difference is excellent.

    Obviously when there are no people in the shot I am going to have to decide
    what to take my settings from....sky or grass. Is one of them easier to
    correct via the computer than the other?

    Thanks to all who contributed, it has been most helpful. Maybe one day I
    will be able to capture something like Paul's magnificent shots.

    Rory

    Quoted message said:


    Quoted message said:

    This is supposed to be our summer,

    It is our summer.

    Quoted message said:

    it was pi**ing down up there.

    Typical summer weather in the UK.

    Quoted message said:

    What these guys must think about our climate........

    That we have a wet climate. Which we do.

    It baffles me why people think it should be sunny all the time during
    summer. This is the UK. We get variable weather, including sunshine
    now and again. That's what makes it so interesting.

    Paul
    --
    http://www.wilderness-wales.co.uk
    http://www.wildwales.fsnet.co.uk
    http://www.photosig.com/go/users/userphotos?id=118749

  3. "Paul Saunders" <[email hidden]> wrote in message
    news:[email hidden]...
    | ste© wrote:
    |
    | >> Even my Olympus 4040Zoom has a filter holder attachment. I can use
    | >> Cokin filters with this and Grad Grey does the biz.
    | >
    | > See, even un-serious photographers use filters and tripods! ;-)
    |
    | Who says Bill's not a serious photographer? You should see some of the
    | framed prints that he's entered into camera club competitions. Many of
    | them are really good.
    |
    | Paul

    I WAS JOKING!!! SEE SMILEY!!! ;-) ;-) ;-)

    ....but I did see that black and white castle photo with the colour flag, but
    I will disregard this one. :-P

    ....AND, it proves my point that you and others put the term 'serious' with
    the term 'good photos.' If you make this distinction (and I don't
    necessarily), then by saying someone is not serious is the same as saying
    someone is just [censored]. Not very nice at all, and is quite snide.

    Talk of serious and un-serious is just for 'photographers' with bigger egos
    than ability IMO! You don't see proper photographers talking about this
    type of thing in newsgroups. They don't have a need to distinguish between
    the two. Blah blah blah...

    Ste

  4. "Fran" <[email hidden]> wrote in message
    news:[email hidden]...
    | [email hidden] said...
    | >
    | > "W. D. Grey" <[email hidden]> wrote in message
    | > news:[email hidden]...
    | > | In article <[email hidden]>, ste©
    | > | <[email hidden]> writes
    | > | >
    | > | >> Alternatively, if the camera accepts filters, or, if not a filter
    | > | >> attachment is available, then use a grad grey filter.
    | > | >
    | > | >It doesn't.
    | > |
    | > | What ! No facility for a filter attachment ???
    | >
    | > I know, it's a shame as it's a good little camera. Fits nicely in the
    | > pocket, unlike the G5. I even got a very good A3 print from it - it's a
    | > 3.3mp camera that interpolated images to 6mp using the Fuji in-camera
    | > formulas or whatever... :-)
    | >
    | >
    | > | Even my Olympus 4040Zoom has a filter holder attachment. I can use
    Cokin
    | > | filters with this and Grad Grey does the biz.
    | >
    | > See, even un-serious photographers use filters and tripods! ;-)
    |
    | I wouldn't call Bill an un-serious photographer. I've seen some
    | of his stuff and it's very, very good. He doesn't boast about it
    | on this NG, but then he has no reason to.
    | --
    | Fran

    I WAS JOKING!!! SEE SMILEY!!!

    :-S

    Ste

  5. Rodders said:

    Obviously when there are no people in the shot I am going to have to
    decide what to take my settings from....sky or grass. Is one of them
    easier to correct via the computer than the other?

    Meter off the sky, you can lighten the land later. If you meter off the
    grass you'll probably overexpose the sky, and you can't get that detal
    back.

    Paul
    --
    http://www.wilderness-wales.co.uk
    http://www.wildwales.fsnet.co.uk
    http://www.photosig.com/go/users/userphotos?id=118749

  6. ste© said:
    Quoted message said:
    Quoted message said:

    See, even un-serious photographers use filters and tripods! ;-)

    Who says Bill's not a serious photographer?

    Quoted message said:

    I WAS JOKING!!! SEE SMILEY!!! ;-) ;-) ;-)

    I know you were joking, but you were still wrong. No-one takes
    "snapshots" with a tripod, that's a contradiction in terms. By
    definition, using a tripod and filters means that you are taking your
    photography seriously. If you are an "un-serious photographer" you
    can't be bothered with any of that fussing about.

    But it's not that some photographers are serious and others aren't, many
    photographers are both, it's all a matter of your frame of mind when you
    take your photos. I take both snaps and photos. How "serious" I am
    depends on the circumstances and my frame of mind. If I'm busy walking
    I'll usually take snaps, but if I'm in the mood for photos I'll
    specifically go out on my own to a scenic area, perhaps at sunrise or
    sunset, and I'll go to work with tripods, spot meters etc. I can spend
    an hour photographing one waterfall. That's serious. It's a particular
    approach to photography.

    Quoted message said:

    ...AND, it proves my point that you and others put the term 'serious'
    with the term 'good photos.'

    It proves nothing of the sort. I use the word "serious" to refer to
    one's approach to photography, not to the results. As a general rule,
    taking it seriously tends to produce the best images, but not always,
    there are many exceptions. Some of my best photos were taken as "snaps"
    and many of my "serious" photos have turned out [censored].

    Quoted message said:

    If you make this distinction (and I
    don't necessarily), then by saying someone is not serious is the same
    as saying someone is just [censored]. Not very nice at all, and is quite
    snide.

    That's an interesting way of twisting what I said to infer something
    that I didn't imply and then criticising me for what I didn't say.

    Quoted message said:

    Talk of serious and un-serious is just for 'photographers' with
    bigger egos than ability IMO! You don't see proper photographers
    talking about this type of thing in newsgroups. They don't have a
    need to distinguish between the two. Blah blah blah...

    Er, you were the one who first made the comment about "un-serious"
    photographers.

    Paul
    --
    http://www.wilderness-wales.co.uk
    http://www.wildwales.fsnet.co.uk
    http://www.photosig.com/go/users/userphotos?id=118749

  7. On 25/7/04 8:43 pm, in article [email hidden], "Paul

    Saunders said:

    Meter off the sky, you can lighten the land later. If you meter off the
    grass you'll probably overexpose the sky, and you can't get that detal
    back.

    Very true, but some sensible bracketing should give you a real choice of
    exposure balance.

    --
    Andy Howell
    Birmingham, UK

  8. [email hidden] said...

    Quoted message said:

    | I wouldn't call Bill an un-serious photographer. I've seen some
    | of his stuff and it's very, very good. He doesn't boast about it
    | on this NG, but then he has no reason to.

    I WAS JOKING!!! SEE SMILEY!!!

    Sorry, mea culpa. It's true I missed the smiley; it's also true
    that it's been 'one of those weekends' here. Trouble with the
    blasted neighbours and suchlike not having improved my temper.
    That, and I'd had about enough of people getting at Bill. He and
    his wife are good friends to have, and he's always been very good
    to and with me and my younglings. But yes, you're right, I did
    jump without looking. <Holds out hand> Shake?
    --
    Fran
    If you need my email address please ask.

  9. Andy Howell said:
    Quoted message said:

    Meter off the sky, you can lighten the land later. If you meter off
    the grass you'll probably overexpose the sky, and you can't get that
    detal back.

    Very true, but some sensible bracketing should give you a real choice
    of exposure balance.

    Yes, but my advice was just a rough guide. I always check the histogram
    after taking each shot and if it isn't right I delete it, fine tune my
    settings and take it again. If it's a really important shot and the
    exposure is particularly tricky I'll get out the tripod and take
    multiple exposures for later blending.

    Paul
    --
    http://www.wilderness-wales.co.uk
    http://www.wildwales.fsnet.co.uk
    http://www.photosig.com/go/users/userphotos?id=118749

  10. On 25/7/04 9:24 pm, in article [email hidden], "Paul

    Saunders said:

    Yes, but my advice was just a rough guide. I always check the histogram
    after taking each shot and if it isn't right I delete it, fine tune my
    settings and take it again. If it's a really important shot and the
    exposure is particularly tricky I'll get out the tripod and take
    multiple exposures for later blending.

    I wondered what this histogram thingy was - how is this supposed to work?

    --
    Andy Howell
    Birmingham, UK

  11. Andy Howell said:

    On 25/7/04 9:24 pm, in article [email hidden], "Paul

    Saunders said:

    Yes, but my advice was just a rough guide. I always check the histogram
    after taking each shot and if it isn't right I delete it, fine tune my
    settings and take it again. If it's a really important shot and the
    exposure is particularly tricky I'll get out the tripod and take
    multiple exposures for later blending.

    I wondered what this histogram thingy was - how is this supposed to work?

    It's a graph of brightness in a scene over about five stops that you
    get with most, but not all, digital cameras. With it you can check to
    see that the detail in the scene lies within the exposure you have
    just made. Some cameras provide it as a preview which is even better.
    It is possibly the best exposure meter you can get showing where your
    highlights mid-tones and shadows are within the exposure latitude of
    the imaging chip.
    --
    Phil Cook looking north over the park to the "Westminster Gasworks"

  12. In article <[email hidden]>, Paul Saunders
    <[email hidden]> writes

    Quoted message said:

    Who says Bill's not a serious photographer? You should see some of the
    framed prints that he's entered into camera club competitions. Many of
    them are really good.

    Why Paul! You make me blush :-)
    --
    Bill Grey
    http://www.billboy.co.uk

  13. In article <[email hidden]>, ste©
    <[email hidden]> writes

    Quoted message said:

    ..but I did see that black and white castle photo with the colour flag, but
    I will disregard this one. :-P

    That was a bit of fun - messing about with PS techniques. I may never
    even use it again. Serious nevertheless. :-)
    --
    Bill Grey
    http://www.billboy.co.uk

  14. In article <[email hidden]>, Fran
    <[email hidden]> writes

    Quoted message said:

    I wouldn't call Bill an un-serious photographer. I've seen some
    of his stuff and it's very, very good. He doesn't boast about it
    on this NG, but then he has no reason to.

    Thank you Fran - I really should have cleared that lot off the
    mantlepiece - it's still there BTW :-)
    --
    Bill Grey
    http://www.billboy.co.uk

  15. In article <[email hidden]>, Paul Rooney
    <[email hidden]> writes

    Quoted message said:
    Quoted message said:

    I wouldn't call Bill an un-serious photographer. I've seen some
    of his stuff and it's very, very good. He doesn't boast about it
    on this NG, but then he has no reason to.

    And he doesn't approve of milky waterfalls (-:

    Or watery milkfalls :-)

    In fact now that I posses a x4 ND filter, milky waterfalls are on the
    cards.
    --
    Bill Grey
    http://www.billboy.co.uk

  16. [email hidden] said...

    Quoted message said:

    In article <[email hidden]>, Fran
    <[email hidden]> writes

    Quoted message said:

    I wouldn't call Bill an un-serious photographer. I've seen some
    of his stuff and it's very, very good. He doesn't boast about it
    on this NG, but then he has no reason to.

    Thank you Fran - I really should have cleared that lot off the
    mantlepiece - it's still there BTW :-)


    I didn't realise until you told me that they were yours. I just
    assumed they were professional prints from somewhere.

    BTW, I'm as free as a very free thing for most of this week
    coming - fancy a stroll somewhere?
    --
    Fran
    If you need my email address please ask.

  17. Phil Cook said:

    It's a graph of brightness in a scene over about five stops that you
    get with most, but not all, digital cameras. With it you can check to
    see that the detail in the scene lies within the exposure you have
    just made. Some cameras provide it as a preview which is even better.
    It is possibly the best exposure meter you can get showing where your
    highlights mid-tones and shadows are within the exposure latitude of
    the imaging chip.

    Except that it's not five stops. You're just trying to wind me up
    aren't you Phil? ;-)

    Paul
    --
    http://www.wilderness-wales.co.uk
    http://www.wildwales.fsnet.co.uk
    http://www.photosig.com/go/users/userphotos?id=118749

  18. "Paul Saunders" <[email hidden]> wrote in message
    news:[email hidden]...
    | ste© wrote:
    |
    | >>> See, even un-serious photographers use filters and tripods! ;-)
    | >>
    | >> Who says Bill's not a serious photographer?
    |
    | > I WAS JOKING!!! SEE SMILEY!!! ;-) ;-) ;-)
    |
    | I know you were joking, but you were still wrong.

    Far too arrogant, stop it! Just wait until Michael Reichmaan from The
    Luminous Landscape catches up with you and puts you in your place! ;-)
    ....When you've worked up the courage to challenge him that is! :-P My money
    is on him now, his website is there, his proof is there! ;-) Just hope he
    doesn't do you for slander, after having his articles dismissed all over
    usenet (okay, just uk.rec.walking!) as wrong! ;-) (smiley here, please
    note!)

    | No-one takes
    | "snapshots" with a tripod, that's a contradiction in terms.

    But who cares, why feel the need to create categories to put people in?
    Just get on with it, that's what I say.

    | By
    | definition, using a tripod and filters means that you are taking your
    | photography seriously.

    So you're only half serious for not using filters much? And take away
    another quarter of a mark for that flimsy Jessops tripod! :-)

    | If you are an "un-serious photographer" you
    | can't be bothered with any of that fussing about.

    I believe that you hardly ever use filters any more because it's too much
    fussing about. Even though you admit that it could produce superior results
    to a heavily photoshopped image. ;-)

    | But it's not that some photographers are serious and others aren't, many
    | photographers are both, it's all a matter of your frame of mind when you
    | take your photos. I take both snaps and photos. How "serious" I am
    | depends on the circumstances and my frame of mind. If I'm busy walking
    | I'll usually take snaps, but if I'm in the mood for photos I'll
    | specifically go out on my own to a scenic area, perhaps at sunrise or
    | sunset, and I'll go to work with tripods, spot meters etc. I can spend
    | an hour photographing one waterfall. That's serious. It's a particular
    | approach to photography.

    I just take photos and that's it. I just never bother thinking about it and
    analyse my intentions etc. Snap snap snap snap. With tripod or not,
    planned shoot or not, filters or not, checked the weather forecast or not.
    Snap snap snap... :-)

    | > ...AND, it proves my point that you and others put the term 'serious'
    | > with the term 'good photos.'
    |
    | It proves nothing of the sort.

    Nonsense. I (jokingly) said Bill was un-serious. You immediately replied,
    "Who says Bill's not a serious photographer? You should see some of the
    framed prints that he's entered into camera club competitions. Many of them
    are really good."

    So I will repeat, at the first mention of the term 'un-serious,' you
    immediately replied that he wasn't 'un-serious' because many of his photos
    are 'really good.' I rest my case, as it's pretty clear and not worth
    debating further - to be honest, I'm not that bothered either way Paul. :-P

    | I use the word "serious" to refer to
    | one's approach to photography, not to the results. As a general rule,
    | taking it seriously tends to produce the best images, but not always,
    | there are many exceptions. Some of my best photos were taken as "snaps"
    | and many of my "serious" photos have turned out [censored].

    Fine. :-)

    | > If you make this distinction (and I
    | > don't necessarily), then by saying someone is not serious is the same
    | > as saying someone is just [censored]. Not very nice at all, and is quite
    | > snide.
    |
    | That's an interesting way of twisting what I said to infer something
    | that I didn't imply and then criticising me for what I didn't say.

    Not twisting anything, and not that you don't have a habit of doing the same
    Mr Saunders! :-O

    So again, you said above that "As a general rule, taking it seriously tends
    to produce the best images." And don't forget the bit where you said he
    wasn't 'un-serious' because many of his photos are 'really good.'

    So the opposite of this, if serious=good, is that un-serious=[censored] (or not
    good). Therefore, being un-serious is just another term for being [censored] (or
    not good), but saying it in a snide and discrete way. It seems quite a
    logical conclusion.

    | > Talk of serious and un-serious is just for 'photographers' with
    | > bigger egos than ability IMO! You don't see proper photographers
    | > talking about this type of thing in newsgroups. They don't have a
    | > need to distinguish between the two. Blah blah blah...
    |
    | Er, you were the one who first made the comment about "un-serious"
    | photographers.

    Yes, and it was a joke! ;-) ;-) ;-) In fact, if I ever joke about serious
    or unserious, or drop in a comment about auto-modes or cocking up
    auto-focusing with a polariser on, then it's a cheeky remark to *our* past
    conversations on this newsgroup! Call it banter if you like, come on Paul,
    keep up! ;-)

    | Paul

    Ste

  19. "Paul Saunders" <[email hidden]> wrote in message
    news:[email hidden]...
    | Phil Cook wrote:
    |
    | > It's a graph of brightness in a scene over about five stops that you
    | > get with most, but not all, digital cameras. With it you can check to
    | > see that the detail in the scene lies within the exposure you have
    | > just made. Some cameras provide it as a preview which is even better.
    | > It is possibly the best exposure meter you can get showing where your
    | > highlights mid-tones and shadows are within the exposure latitude of
    | > the imaging chip.
    |
    | Except that it's not five stops. You're just trying to wind me up
    | aren't you Phil? ;-)
    |
    | Paul

    If that's what is says on The Luminous Landscape, then it must be right.
    It's far too much a respected website throughout the world for it to be
    wrong.

    Ste

  20. "W. D. Grey" <[email hidden]> wrote in message
    news:[email hidden]...
    | In article <[email hidden]>, ste©
    | <[email hidden]> writes
    | >..but I did see that black and white castle photo with the colour flag,
    but
    | >I will disregard this one. :-P
    |
    | That was a bit of fun - messing about with PS techniques. I may never
    | even use it again. Serious nevertheless. :-)

    Yes, I realised you were serious when I joked about the flag, never again,
    I'm sorry! :-)

    Talking of PS techniques, I took an image of the Liverpool skyline and put a
    rainbow in - I will email it a sample to you Bill. Paul will tell you the
    lighting was all wrong for a rainbow, but ahh, what does he know! :-)

    | Bill Grey

    Ste

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