[email hidden] (Carl Fogel) wrote in message
news:<[email hidden]>...
[snip]
A follow-up:
What I've seen is more like it!
It sounds as if the engineering crowd is unimpressed with the minuscule increases in horizontal
stiffness claimed by Colnago for their weird new chain-stay design.
But what if we look at it as a 5% (or whatever) reduction in side-to-side thrashing power-loss?
That is, a rider puts out X amount of effort, most of which (I hope) goes into overcoming wind drag,
rolling-resistance, inertia, and broken glass.
But some effort is wasted in all sorts of nooks and crannies, one of which is any side-to-side
flexing of the hideously stiff something-or-other-hedron formed by the seat-tube, chain-stays,
seat-stays, and axle (I read somewhere in another post that there's a name for the geometry and that
the little cross-bar for the brake doesn't count.)
Everyone seems to agree that this side-to-side motion is minute. My question is how much effort is
needed to create that tiny wiggle in such a stiff arrangement of tubing? How much would it help to
reduce this particular loss by 5%?
If half of the overall X effort goes into twisting my rear frame, then it's a 2.5% overall
improvement and worthwhile.
If only 1% of the overall X effort goes into distorting my rear frame, then the potential
improvement is only 0.05% and getting hard to justify.
And is any gain, regardless how large or small, offset by the loss in the claimed greater vertical
flexing that's supposed to make the bike more comfortable?
These are all figures too tricky for me to even guess at, but at least now I know what the question
is--does that bizarre diamond-hole in the chain-stay work to reduce horizontal deflection and
increase vertical deflection, and if so, are the effects large enough to matter?
It may be pure marketing, it may be pure wishful engineering, but I can't say that the ugliness
worries me--where would most of us be if homeliness were grounds for rejection? Even Jobst Brandt
admits that there was a time when he was younger and more beautiful.
Carl Fogel